|SLG to Release First Crab Scrambly Solo Storybook in February - 16/12/2003|
|Zazil is an orphan who is cursed with bad luck and trapped in a monotonous life. He longs to escape from the drudgery of his waking life and the troubled thoughts that haunt him....|
Crab Scrambly, the artist known to Slave Labor Graphics readers from his paintings in the storybook Everything Can Be Beaten, written by Chancre Scolex (sometimes known as Jhonen Vasquez), now has penned and illustrated a storybook of his own, The 13th of Never. The 72-page novella features more than 30 full-page black-and-white drawings by Scrambly, and is scheduled to be released in February 2004.
In The 13th of Never, Zazil discovers a good luck charm in a dusty curio shop. It proves to be his ticket away from the mundane, but it brings him everything but good luck. When soul-stealing creatures called Charnocks pursue Zazil through strange lands and ghost trains, he must use his wits and courage to escape them -- and to finally face his past.
"The ideas and images for The 13th of Never have been floating around in my head for the last ten or so years," said Scrambly of the book's conception, "but it all became clearer a few years back when I took a train ride through badlands of eastern Europe, where big, creepy castles and monsters still exist. I knew then that I wanted to create a dark fairy tale influenced by the films of Terry Gilliam, Jim Henson and the Brothers Quay with a dash of Edward Gorey thrown in."
No stranger to creepiness and monsters, Serena Valentino, who is the writer of two series for SLG (GloomCookie and Nightmares & Fairy Tales) praises The 13th of Never as an "engaging story that will capture the imaginations of the children inside of all of us. It's superbly illustrated and the story has an endearing fairytale quality." Valentino, who is collaborating with Scrambly on a project about the infamous Delphine Delaurie called 1140 Royal Street, added, "Crab's illustrations are always a marvel, and this is no exception -- it makes me even more eager to work with him on our project."
The 13th of Never is a 72-page illustrated novella in 5.5 x 7-inch digest format. It will retail for $7.95 US. A preview is available at SLG Publishing's website, www.slavelabor.com.
|Negation War! - 15/12/2003|
|The best-kept secret in comic books is about to explode.|
For over two years, the NEGATION creative team has generated passionate critical praise with their fast-paced and unpredictable sci-fi thriller. Now, writer Tony Bedard, penciler Paul Pelletier, inker Dave Meikis, and colorist Laura Martin have the chance to show the entire comic book industry what they’ve been missing in NEGATION WAR. This six-part epic, scheduled to blast-off in March 2004, finally brings together the world-smashing Negation Empire and the super-powered heroes of the CrossGen Universe in all-out combat.
For nearly four years, the building storm has been teased and hinted at in the pages across CrossGen’s entire line. The mad-god Charon, having conquered his chaotic universe, has cast his baleful eye across the gulf between realities and covets the bright and thriving worlds in our cosmos. Backed by endless armies and his twisted Lawbringers, the terrifyingly charming emperor has at last given the order to launch the full invasion. Can anything stop the Negation’s path of destruction? And who is the spandex-clad hero shown on the first issue’s cover? Readers will uncover answers as they join the battle in only three months.
"Charon wants to ‘improve’ the CrossGen Universe, whether we want it or not, because he feels he knows what’s best for everyone…and he’ll kill as many people as it takes to do it," explained Bedard. "The CGU crew is definitely outmatched. But that’s what makes things interesting. You gotta love the underdog. In the pages of NEGATION, ex-soldier Obregon Kaine and his rag-tag band of escapees have beaten immense odds in their fight for freedom. And along the way, there’s been a multitude of ‘Holy $#+%" moments, so expect even more of those jaw-dropping shocks in NEGATION WAR!"
NEGATION WAR Part One, created by the writer Tony Bedard, penciler Paul Pelletier, inker Dave Meikis, and colorist Laura Martin, is scheduled to reach stores in late March. The 32-page, $2.95 US debut issue will be available for order in the January issue of Diamond’s Previews catalog.
|Cloak & Dagger meet the Runaways! - 13/12/2003|
|Marvel's cult-favorite, teenage runaway heroes of the past meet Marvel's cult-favorite, teenage runaway heroes of the present in February's RUNAWAYS #11, the start of the latest new story arc from writer Brian K. (MYSTIQUE, Y: THE LAST MAN) Vaughan's critically acclaimed ongoing series.|
In "LOST & FOUND", a new two-issue story arc with art by guest-penciler Takeshi Miyazawa and cover artist Joshua (NYX) Middleton, Vaughan's on-the-run team of teenage heroes meet their predecessors - two streetwise crime fighters who can teach their younger counterparts a thing or two about dark forces, dangerous pyrotechnics and 1980's fashion sense - CLOAK & DAGGER!
The 32-page RUNAWAYS #11 goes on sale early April 2004. Look for more information on that new story arc and the upcoming first RUNAWAYS collection in the coming weeks! Readers can also get acquainted with one of the best new series of the year with a full 22-page reprint of RUNAWAYS #7 in this month's MARVEL PREVIEWS #4, on sale now for just 99-cents US!
|Shinkiro of Capcom covers Spider-Man Unlimited #1 - 10/12/2003|
|Marvel Comics is pleased to announce that acclaimed Capcom artist Shinkiro will be contributing the cover to the January debut issue of their new anthology series SPIDER-MAN UNLIMITED! The renowned Japanese designer and illustrator of many of Capcom's hit titles will be bringing his acclaimed skills to yet another digital masterpiece that will grace the premiere issue of Spidey's newest comics series.|
"I am honored that an artist as revered and respected as Shinkiro has agreed to illustrate the first cover for Spider-Man Unlimited #1," commented Marvel's talent coordinator C.B. Cebulski. "I owe many thanks to our friends at Capcom Co. Ltd. for making this happen. We could not be more pleased with the beautiful cover that Shinkiro-san has so masterfully rendered.
"However, I would also like to express my sincere apologies to Shinkiro-san and Capcom Co. Ltd. for a slight blunder on Marvel's part," Cebulski continued. "When we solicited the book, we ran a pre-production image of the cover that Shinkiro-san had not yet completed. While it was clearly labeled "NOT FINISHED ART", this message was not imbedded in the image itself. This incomplete image was then mistakenly released to the Internet community, but it was not noted there that this was an unfinished piece. It was only after the piece had gone out that we realized our mistake.
"I feel terrible about this," Cebulski explained. "We've done a great disservice to Shinkiro, his art and his reputation by releasing a piece of his unfinished art. Marvel is going to do everything in its power to correct the mistake and see that the actual finished Spider-Man Unlimited #1 cover is distributed through the proper channels and give it the exposure it so rightfully deserves. Again, Marvel's apologies for this error go out to Capcom Co., Ltd. and Shinkiro. We look forward to continuing our strong relationship with them, as well as expanding it to get other Capcom artists working on Marvel comics."
The 32-page SPIDER-MAN UNLIMITED #1 - the debut issue of a new, bimonthly ongoing series - goes on sale early January with a cover price of $2.99 US. Ask the friendly staff at Graphic Action Comics to reserve your copy!
|Get spooked out this February from Oni Press - 9/12/2003|
|After Valentine’s Day warms your heart, Oni Press is preparing to send a shiver back down your spine with SPOOKED, a new original graphic novel by Antony Johnston (THE COURTYARD, THREE DAYS IN EUROPE) and Ross Campbell (TOO MUCH HOPELESS SAVAGES). The first of three new projects by Johnston scheduled for early next year, SPOOKED looks at the creepier side of London through the eyes of an extremely unusual fine artist named Emily Spook.|
"SPOOKED is one of those books that took some time to come together," said editor James Lucas Jones. "Don’t get me wrong, Antony’s pitch was fully formed and realized, but there were some stumbling blocks along the way. Format changes, artist changes, title changes—but it’s true what they say, what doesn’t kill you makes you stronger and the challenges that arose in getting Emily’s story from concept to completion only helped to shape into one of my favorite projects."
Emily Spook’s reputation in the indy art scene is growing. Her paintings have a devoted following and the ranks of that group continue to swell more every day. Emily should be thrilled but instead she’s terrified. You see, ever since she was a young girl, Emily has been somewhat of a hostel for ghosts. Visitors from the ether would drop in for a few days or a month or even years and from those specters Emily would draw inspiration. But lately the ghosts have disappeared, leaving Emily alone and unable to touch a canvas. When Simon’s consciousness first shows up inside Emily’s skull she’s relieved, but before long she fallen into the same web of mystics and murder that ended Simon’s life. Can the unlikely pair discover the truth about Simon’s gruesome death or will Emily join the spirits she’s played host to all these years?
|Pirate Club sets sail in February - 7/12/2003|
|What do you get when you take a kid single-mindedly obsessed with being a pirate in the modern world, a kid who is convinced that he's a bear and a crabby, one-handed garbage man? Only the most motley crew of crazy land-lubbers who ever sailed the high seas! In Pirate Club by Derek Hunter, SLG Publishing's first new ongoing series of 2004, the boys of the Pirate Club loot, pillage and generally cause mayhem, with their eyes on adventure and nary a moral quandary to trouble their sea-faring dreams.|
Pirate Club comes straight from series creator Hunter's childhood. The real-life Pirate Club was a joke that Hunter and his friends cooked up to keep them entertained over the summer. Years later, Hunter and his friends, grown up and spending more time in front of the computer than in the great outdoors, decided to try to recapture what they had already started thinking of as "the good old days."
Designing Pirate Club t-shirts soon progressed to designing characters and developing a story. The resulting comic, Pirate Club, tells the story of John, a wannabe privateer trapped in circumstances of a decidedly un-piratey nature; Bearclaw, his first mate, who is convinced he is a bear; and Phil, a the garbage man who regales them with tall tales of the sea. When Phil gives the boys his old sailboat, the Pirate Club is on its way to becoming a full-fledged scourge of the high seas.
|Publication changes for Feather - 4/12/2003|
|Image Comics has announced changes in the publication of Steve Uy's FEATHER. Originally solicited as a six-issue miniseries, FEATHER is now a five-issue miniseries concluding with a 48-page one-shot in May. Solicitations for issue #4 (DEC03 1316 D2) incorrectly listed that issue as the conclusion of a four-part miniseries.|
"Feather has NOT been shortened in any way," explained Uy. "The reason for this change will be quite evident upon issue #4's release: given the brutality of the storyline, it seems unfair to break up the final act of FEATHER into two separate issues, two months apart, so the final two issues will be amalgamated into one big issue #5. To do otherwise would have frustrated too many readers and would have done a disservice to the storytelling.
"Naturally, I urge all readers to pre-order this particular issue, since the heftier page count will necessitate a heftier price point, meaning retailers may be more hesitant to stocking it. And once the book is gone, well..."
FEATHER #4 is available for order now in the December issue of Previews and will go on sale in February.
FEATHER #3 is due in stores mid-December.
|Mike Wieringo exclusively at Marvel for 2005 - 25/11/2003|
|Fan-favorite artist MIKE WIERINGO, who along with writer Mark Waid has built one of the industry's most passionate and loyal fan bases with their work on the FANTASTIC FOUR, has signed an exclusive agreement with Marvel, keeping Wieringo with the Marvel team through the year 2005. |
Known affectionately to his fans and fellow pros as "Ringo", Wieringo's fun, energetic art and strong storytelling skills has graced books such as DC's The Flash (with his FF partner Mark Waid), his own Gorilla/Image series TELLOS, and SPIDER-MAN and the X-MEN at Marvel. Wieringo will continue to work with Waid on FANTASTIC FOUR, which starts a key new story arc in January with FANTASTIC FOUR #509.
|Brandon Peterson Exclusive with Marvel! - 24/11/2003|
|Superstar artist Brandon Peterson - who rose to industry fame as one of Top Cow's most popular artists and for the last few years served as an artist, Art Director and Vice President of CrossGen Entertainment - has signed an exclusive creator agreement with Marvel that will keep him with the House of Ideas through the year 2006. |
Brandon will begin drawing covers on such key titles as ULTIMATE X-MEN and then move on to several high-profile new assignments that will be announced in the coming weeks.
"I've known Brandon for quite some time now, he is one of those rare talents that can do it all and he does it all at a Master's level," said Marvel Editor-in-Chief Joe Quesada. "He's also one of the most enthusiastic people I know and I'm thrilled that he's bringing that energy to Marvel.
"We have some amazing stuff planned for Brandon including the reinvention of a classic Marvel character that will have fans talking for years to come. There aren't many people in the comics industry that can draw with his ability and energy so I'm thrilled for us and for our fans everywhere that he'll be dedicating his amazing talents to the pantheon of Marvel Heroes."
"Over the last few years while occupied at another job, I've observed the incredible progress Marvel has made with the editorial leadership of Joe Quesada," said Peterson. "Marvel has really undergone a renaissance with things like Marvel Knights, the Ultimate universe, and the rejuvenation of the core titles. I appreciated from a distance the hard work and skill that they and everyone at Marvel have shown.
|Cheung & Pulido hunt Lady Death! - 21/11/2003|
|Here's the bad news: Your family, who would just as soon kill you as hug you, have conquered Europe. Your friends hate you, and your only allies are former foes. And when you're not fighting a guerilla war against the ruling forces, you're battling monsters and avoiding pockets of land that obey the laws of magic, not physics.|
On the positive side, superstar artist Jim Cheung is now illustrating your adventures.
Such is the life of Lady Death, born of two bloodlines, yet belonging to neither. For the last year, writer Brian Pulido re-imagined his dark maiden, introducing the young woman named Hope to a new audience in the pages of LADY DEATH: A MEDIEVAL TALE. This March, former X-Force and Scion artist Jim Cheung joins Pulido as the series' timeline jumps forward an entire year, offering readers new visuals, new challenges, and new surprises in LADY DEATH: THE WILD HUNT.
"Perfect for lovers of dark-edged fantasy, THE WILD HUNT is crafted to shock existing fans while making complete sense to new readers," stated Pulido. "The story starts with medieval Europe now ruled by the Eldritch, an ancient magical race out to extinguish humanity, who they view as cockroaches. Even though they're outnumbered underdogs, it's up to Lady Death and her underground fighters to drive the supernatural race back through the rift they stormed through. But Hope's father was Eldritch and her mother was human. So while she looks Eldritch, Lady Death is hated by the very people she wants to save."
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